Kay King

Weaver of Watercolors

By Todd Peterson
For "50 Artists" Series

Kay King creates colorful abstracts by weaving watercolor paintings together. The resulting "woven watercolors" are a unique combination that surprises and delights viewers of her art.

Kay's watercolor paintings were inspired by a weaving she once saw. Always a lover of combining things, she decided to take two watercolors with a similar palette, cut them into strips, and weave them together to create a new abstract painting. The contrast of the soft watercolors with the hard edge of weaving is striking.

"I learned creativity from teaching," says Kay. She taught science and language arts in both elementary and middle schools for many years in Eugene. Before that, Kay ran a day care center while her children were young. She retired ten years ago and has enjoyed time for traveling, gardening, and illustrating childrens' books. Among the books Kay illustrated with colored pencil art are "Anna Goes Blackberry Picking", "Benji", "Doggy & Kitty Parade", and "The Cabbage, the Wolf, and the Goat."

Having recently joined the Emerald Art Center and displayed her work in the gallery in February, Kay describes herself as an "old artist, newly out." Her abstract acrylic paintings and woven watercolors sold briskly at the show's opening.

With a laugh and smile, Kay King says, "I create abstracts because I'm petrified of being trite!" Without a doubt, the direction she has taken with her art has moved Kay's artistic creations far away from "trite" and much closer to her heart's "awakened" muse.

In her own words:

Inspiration To Begin: "I remember always looking closely at things when I was a kid. That way of 'looking' continues to get me started. And I like combining things. That's what inspired my woven watercolors."

Important Mentors: "Marji DeBuse mentored me on the subject of creativity. She teaches a creative problem-solving class at the U. of O. Among the masters, I appreciate Miro, Klee, and Picasso. I also love the work of Andrew Wyeth."

Value of Art in Her Life: "It's a focus for me ... a context in which I live. Creating art makes me 'be awake'. For people who see my art, I hope they see something they haven't seen before ... something that surprises them!"

Her Artist's Legacy: "My legacy lives in the many kids I have taught over the years ... in their sense of awe as they look at our incredible world. And especially in the art of my two sons who are both very creative."

For more information about Kay King and other artists interviewed for this series, visit the blog: www.emeraldartcenter.blogspot.com and the art center's website: www.emeraldartcenter.org.

To display a larger image of the art on your computer, please click on the photo.

"Particle Wave" by Kay King

_________________________________________________________________________

About The Artist

Birthplace: Uniontown, Pennsylvania

Arts Education: Seton Hill University (B.A - Fine Arts)

Media of Choice: No preference (use watercolors, acrylics, colored pencils)

Favorite Place to Do Art: In her home studio

Favorite Subjects To Paint: Abstracts

Arts Organizations: Emerald Empire Arts Association (Education Committee)

Gallery Shows: Emerald Art Center (February 2008)
_________________________________________________________________________

All art images and photos of the art on in this story are copyright by the artist.

"Before Time" by Kay King



"Icarus Path" by Kay King



"Aloft" by Kay King

Marjorie Sutton: Celebrating life in her realistic paintings

50 Artists: 50 Years of Art in Springfield
Celebrating arts and culture in our community

Featured in The Springfield Beacon (February 13, 2008)

By Todd Peterson
Springfield Beacon

Marjorie Sutton
Celebrating life in her realistic paintings

Marjorie Sutton is an energetic woman who loves life and has lots of painting she wants to do. At the age of 83, she feels "young and raring to go on the fast track" to create more paintings that bring happiness to the people who see them.

Marjorie has painted with oils for over 30 years and plans to learn acrylic painting this year. "Oils take so long to dry and I'd like to begin using acrylics which dry faster," she says. "I have so many things I'd like to paint and you never know how long you have left in this life."

Her first oil painting was of an Indian girl. She painted it from a black and white photograph and the colors just "came to her". Marjorie sold the painting to a lady who had it hanging on her wall for over 20 years. Then Marjorie, knowing that her mother had been upset that she had ever sold it, bought it back. What a surprise it was when her mother unwrapped the painting her daughter had done so many years before.

Marjorie likes her paintings to be "as near to real life as possible." She wants to share reality as she sees it and hopes that what she paints will be pleasing to others.

Anyone who looks into the eyes of the animals and people Marjorie Sutton paints will experience the delightful reality she sees (and celebrates) in her life.

In her own words:

Inspiration To Begin: "As a very young child, I was able to draw and my teachers from first grade on encouraged me to continue doing art. Many of my paintings are inspired by the personalities of animals ... their winsome look thrills me and I want to capture it so others can see it in my paintings. I love seeing the little faces of animals!"

Important Mentors: "Clem Hall with Disney Studios in Burbank was a mentor and so was Walt Tyler, who painted for Cecil B. DeMille at MGM. They became close personal friends. And I love Norman Rockwell. His paintings tell such meaningful stories."

Value of Art in Her Life: "I enjoy the camaraderie with other artists and creative people. And I feel so free when I'm painting. I can share with others and experience myself on a level much deeper than on the surface. I hope people will feel happy when they see my paintings and enjoy whatever they see in them."

Her Artist's Legacy: "I hope my children and grandchildren will say 'Mummer' (what they all call me) used her God-given talents to create happiness in her paintings. My legacy as an artist will be in my paintings hanging on the walls of family members and the walls of others who have purchased my paintings."

"Awesome Ocelot" by Marjorie Sutton

"My Precious Dee Dee" by Marjorie Sutton

________________________________________________________________________

About The Artist

Birthplace: Burbank, California

Arts Education: Self-taught and classes at Saddleback College and Santa Monica College in California.

Media of Choice: Oil Painting

Favorite Place to Do Art: At home in her studio

Favorite Subjects To Paint: Animals, especially cats; and people

Arts Organizations: Emerald Empire Arts Association, Maude Kerns Art Center

Current Show: "Happiness is a Thing Called Painting" at the Emerald Art Center (through March 1)
__________________________________________________________________________

All art images and photos of the art are copyright of the artist.

"Chloe" by Marjorie Sutton



"Catching the Wind" by Marjorie Sutton



"Half Dome Yosemite" by Marjorie Sutton

Richard and Janet Reed: Creating art that delights and dances with light

50 Artists: 50 Years of Art in Springfield
Celebrating arts and culture in our community


Featured in The Springfield Beacon (February 6, 2008)

By Todd Peterson
Springfield Beacon

Janet and Richard E. Reed
Creating art that delights and dances with light


In an old barn on the north bank of the McKenzie River, Janet and Richard Reed are creating art that delights the viewer – colorful mosaics, oil and acrylic paintings, and sculpture.

Richard does oil paintings that capture the character of the person, showing what “you never see” even if you know the person. He also creates sculpture from clay, wood, alabaster and river rock. Richard says “I love to “moosh’ malleable materials and want people to touch my pieces of sculpture and experience the delight I feel in creating them.”

Janet creates “textured light” mosaics from very small pieces of glazed tile and glass. She uses a wide range of colors, placing the tiny pieces with many dimensions in ways that create light and shadow. Janet says “I like to experiment with the play of light in my work.”

Richard and Janet Reed are creating delight for viewers of their art (and for themselves) as they enjoy the “dance of life” together as artists and partners.

Inspiration To Begin: As a young person, Janet thought about doing “rice and beans” mosaics but never did. In 1963 while in Florence, Italy she bought a small mosaic pin which she says may have influenced getting started with her art. Doing needlepoint and her love of small, detailed, colorful art inspires her creativity.

Richard traces his beginning in art back to carving a polar bear out of Ivory Soap to enter a contest in first grade. But he didn’t take drawing classes until he was in his 30’s. Then about 15 years ago, Richard began painting classes in which he found inspiration in the work of Leonardo da Vinci, the French and Dutch Impressionists, and some of Picasso’s work.

Important Mentors: Janet’s mentors have been the authors of books on mosaic art – Elaine Goodwin who wrote “Encyclopedia of Mosaics” and Sonya King’s “Mosaic Techniques and Traditions.” She loves Byzantine mosaics and the works of Velázquez, El Greco, and Murillo.

Richard’s important mentors have been Adam Grosowsky who he says has “intuitive courage” and Victoria Andrea Doria who taught him painting in the style of Leonardo da Vinci.

Value of Art in Life: Richard says his art has “given me courage to push the envelope of my experiences in my life. I’m having fun in my ‘old age’ sharing my art and writing about the art of aging on my blog (www.artofaging.blogspot.com).

Janet’s art is a form of “meditation, allowing me to loose myself as the concentrated, detailed work pulls me closer to my center.”

Their Artists' Legacy: “I never thought people would buy my work,” says Janet, “but I’ve sold nearly everything I’ve created. Like being a teacher who never knows how far their words will go in their student’s lives, an artist never knows how their art will impact people who see it. I hope my art will give people something to think about, some new ideas and thoughts about life.”

For Richard, “just to have done it is enough.” He hopes people will see in his art that “you’re never too old to do new and interesting things.” And he hopes that his many pieces of art will find a good home … he laughs “maybe even snatched up by the art galleries of the world!”

___________________________________________________________________________

"Bird of Paradise" by Janet Reed

"Looking for Love" by Richard E. Reed

_____________________________________________________________________________
About The Artists

Birthplace: Brooklyn, NY (Janet); Wautoma, WI (Richard)

Arts Education: Self-taught in Mosaics (Janet); LCC art classes with Adam Grosowsky and painting with Victoria Andrea Doria (Richard)

Media of Choice: Mosaics (Janet); Oil Painting (Richard)

Favorite Place to Do Art: In my studio in our old barn (Both)

Favorite Subjects To Paint: Landscapes, abstracts with color and shapes (Janet); People, landscapes, and abstracts (Richard)

Arts Organizations: Lord Leebrick Theater, Eugene Ballet (Janet); Maude Kerns Art Center, Playback Theatre, Writers Guild (Richard)

Current Shows: Downtown Athletic Club – March/April 2008; Full City Coffee – July 2008 (Both)

Contacts: For a studio showing, email: rreed@ram-mail.com
_____________________________________________________________________________

All art images and photos of the art are copyright of the artist.

"Pomegranate" by Janet Reed

"Birth of Hope" by Richard E. Reed

Ed King: A well-traveled artist

50 Artists: 50 Years of Art in Springfield
Celebrating arts and culture in our community

Featured in the Springfield Beacon (January 23, 2008)

By Austin Berger
For the Beacon

Ed King
A well-traveled artist

You’ll find two things in many of Ed’s signature Christmas cards: A church and deer. The deer are a kindred spirit of sorts. Actually, fans are a better term. “They come down, look in the window, and watch me paint.”

In his home studio nestled in the Eugene hills, he finds it most conducive environment for creating art. However, his inspiration comes from all over the world. This 77-year-old retired sign maker turned watercolorist is as well traveled as he is an artist.

Inspiration to begin

“Ever since I was a kid, I got called in to do the art stuff,” says Ed, recalling his early childhood days in upstate New York. He we went to Montana State University in Bozeman as an art major, but in the middle of the term he started to wonder how he was going to make a living doing that, and thus switched over to graphic advertising design.

After graduating and working in Bozeman by making signs and billboards, he moved in ’61 out to Eugene to work as the art director for Martin Brothers. After a little work, he began to freelance. “I’d be heading into bed at two, and going to work at eight.” laughs Ed. His first sign company was called Eugene Signs, and was located right next to the new Fire station on West Second Avenue. He then went into the interior design field with fellow Bozeman sign maker, Gordon Obie; father of former Eugene Mayor Bryan Obie. Afterwards, he started his own company, King Design Inc., which among other things did store designs for chains in upstate New York, Florida, and Montana.

Eventually, King Design Inc. got so big, that he had to hire more designers, and spent more time managing designers than designing signs. About ten years ago he retired, finding more than ample time to fully engage his watercolor painting. This was also around the same time that a friend told him to join the Emerald Art Center. “He said to me ‘if you’re doing this art thing, you gotta join this art center.’” He also joined the Oregon Watercolor Society, but he never makes the meeting because he’s usually out of town.

Mentors

His world experience has played a crucial role in his watercolors. He and his wife are quite the travelers, traveling anywhere from six to eight times a year, as far as Europe, South America, and Asia. He uses these opportunities to gather scenes to paint as well as take the occasional workshop. In the Florence area of Italy, he took a workshop with renowned artist Joseph Bohler; however, his approach was more unorthodox than the rest, but obviously more effective. Although being a well-traveled artist, he’s not one to paint on location.

“I’d go into the towns and start taking pictures, then I’d take the pictures home and make paintings of them,” says Ed. “At the end of the day, I would have 60-80 paintings, and they would only have one.”

Ed also credits Ron Ranson as an influence in helping him loosen up. "He told me to just paint a door. Not the knob and the keyhole, but just a door. And he got me to use a bigger brush,” he says. Ed cites Portland artist Gene Gill, and his treatment of light, as an important influence.

Quality of life as an artist

Like any person who is lucky enough to make money while painting something, he’s living proof of the adage that if you do what you love, you’ll never work a day in your life.

“I'd like to look back and say I did something I like to do."

Ed's art seems to get around as much as he does. His line of Christmas cards are a hit, some of his art is in private homes in Europe, and his watercolors frequently makes their way into auctions at Northwest Christian College and the Rotary Club. You won’t find his art in any galleries though. He can’t stand to have his art marked up so high by galleries, so he offers tours of his home studio where he sells his art.

Legacy as an artist

Whether art is one of those genetic traits that skip a generation is anyone’s guess, but his granddaughter is already showing promise as an artist at age 16. “She’s already starting to develop her own technique,” says Ed proudly. For the rest of the kids, Ed advises not to get into the “crazy abstract stuff. Just do what you like to do, and do something so you can put it on the wall and keep looking at it and like it,” says Ed.

By now, Ed and his wife should be in Mexico or Arizona, on another adventure. Hopefully he will find some other great things worth painting while down south.

For an appointment to visit Ed’s studio, call 484-0285.

"Italy" by Ed King

All art images and photos of the art are copyright of the artist.

_____________________________________________________________________

About the Artist

Hometown: Auburn, N.Y.

Media of Choice: Watercolors

Favorite Subjects to Paint: Old Ships and Mountains

Favorite Place to Paint: In his home studio

Arts Organizations: Emerald Empire Arts Assoc., Oregon Watercolor Society

Gallery Showings: At home - call for an appointment: 484-0255
_____________________________________________________________________

Sally LaMarche: Bringing figurative sculpture to life

50 Artists: 50 Years of Art in Springfield
Celebrating arts and culture in our community

Featured in the Springfield Beacon (January 16, 2008)

By Todd Peterson
Springfield Beacon

Sally LaMarche
Bringing figurative sculpture to life

Sally LaMarche began sculpting in grade school, winning a soap-carving contest at the age of twelve. While living in Arizona in the 1960’s, she began making pottery and creating sculpture from clay. Year’s later, when she moved to Oregon, Sally sold pottery at Saturday Market and began making bronze sculpture which she continues to do today.

Sally calls her figurative sculpture “representational” of what she sees in subjects of her sculpture. She says having two or three pieces always in progress “keeps her amused.” But creating bronze sculpture is getting more costly and there is only one local source for casting – Steve Reinmuth’s Bronze Foundry.

Sally also volunteers to teach sculpture through an international organization, Cross-Cultural Solutions. She went to Tanzania where she taught for four weeks, using local clay and their meager stream water for teaching her art to young students. Her journey included going on a weeklong safari and having a “hang out” week in the country after her teaching assignment.

Sally enjoys going to a weekly gathering of sculptors in our community led by Paul Buckner, UO emeritus professor of sculpture. She joined the Emerald Art Center in mid-2007 and is presenting her first show as a member-artist this month.

Viewers of Sally LaMarche’s sculpture at the art center – most of which are figures 12 to 24 inches tall – will see the beauty of the human body, the struggles of human experience, and the imagination of an artist.

In her own words:

Inspiration To Begin: “My teachers in grade school got me started and many other people have inspired me throughout my life. When I was a young mother, my one-year old daughter was an inspiration for a sculpture. And my mother inspired the creation of a garden sculpture – an elf, two feet tall. I had to learn how to put pieces together to make such a large sculpture.”

Important Mentors: “At the Tucson Museum Art School, Tom Beranger mentored me. Later, my teachers at Lane Community College -- Bill Blix, Eric Land, and Ellen Tykeson -- were important influences. Among my favorite sculptors are Michelangelo, Bernini, Houdon, and Rodin.”

Value of Art in Life: “Sculpting is something I love to do -- so I do it. I hope people who experience my work will enjoy seeing my view of people and the other subjects I sculpt.”

Artist’s Legacy: “I haven’t really thought about it. I suppose my legacy will be the sculpture pieces I’ve given to my children and a public sculpture I created that is in the Lewis & Clark College Library.”

“Quest” by Sally LaMarche

“Maasai” by Sally LaMarche

All art images and photos of the art are copyright of the artist.

__________________________________________________________________

About The Artist

Birthplace: Glendale, AZ

Arts Education: Tucson Museum of Art; Lane Community College

Media of Choice: Clay

Favorite Place to Do Art: Anywhere

Favorite Subjects To Sculpt: People & Animals

Arts Organizations: Emerald Empire Arts Association & Maude Kerns Art Center


Current Show: At the Emerald Art Center (thru Feb. 2)
__________________________________________________________________

Mark & Susan Dodge: Creating visionary and "next generation" art

50 Artists: 50 Years of Art in Springfield
Celebrating arts and culture in our community

Featured in The Springfield Beacon (January 9, 2008)


By Todd Peterson
Springfield Beacon

Mark & Susan Dodge
Creating visionary and "next generation" art


For Susan and Mark Dodge, art is creation and re-creation -- using one art form to create another. Susan paints colorful visions of sea life while Mark creates abstracts with recycled paint from his window art. Together, they create three-dimensional outdoor scenes from wood painted to capture the beauty of nature.

The Dodge's began their journey into art over 20 years ago as holiday window painters and wood workers at Saturday Market. They were commissioned in 1988 by major corporate chains to travel the West Coast doing their artwork. Eventually, the couple decided to move to South Lake Tahoe where they created the largest holiday window painting in the world for Harvey's Hotel & Casino.

After receiving additional commissions for murals and promotional artwork from casino/hotels in the Las Vegas area, Mark and Susan moved to Bullhead City, Arizona. While living there, they were inspired by the beauty of the desert and created large canvas landscapes currently in private collections. Missing the beauty of Oregon, they moved "back home" in 2005 to share their art locally.

In doing collaborative art, Susan notes that the work is "like a marriage." Either partner may start a piece and take it as far as they'd like, then pass it along to the other partner to add their creativity to the project. They continue to work together back-and-forth until they both agree that the piece is complete. "Working collaboratively with my husband is a joy" says Susan.

In his artist's statement, Mark writes that his art "has crossed barriers, it has transformed from one art form to another. Imagine an art form that is commissioned, created, enjoyed and then recaptured by the artist and recreated into another art form." He goes on to say that his art is "created with a sole purpose and function, but with an intention of further use at a later time. Art with more than one purpose and life."

The art of Susan and Mark Dodge promises to awaken you to new ways of seeing one art form transformed into another -- a "next generation" -- and delight you with visions of sparkling beauty beneath the sea.

Inspiration To Begin: Mark's art teacher at Cascade Middle School, Miss Samuelson, inspired his artwork in 7th and 8th grade. He recalls saying he would "make her proud some day" with his art. Susan's mother was her inspiration early in her childhood. Susan learned to paint with watercolors like her mother and did pen and pencil drawings as well.

Important Mentors: Susan's teachers in junior high and high school were her early mentors (after her mother). She was in the National Art Honor Society in her school in Columbia, Missouri. Among the Masters, Susan loves Michelangelo, Seurat, and Dali as well as Georgia O'Keeffe. Van Gogh has been a favorite of Mark’s since 7th grade, along with Picasso and his LCC teachers, Bill Blix and Alan White.

Value of Art in Life: For Mark, art is both the "sugar and spice of life. It inspires, delights, and entertains." He hopes people who see his art will be touched and inspired. Susan sees her art helping people realize that they "don't have to think in a box". She finds creating art a very fulfilling part of her life.

Their Artists' Legacy: "I want to leave a legacy that shows how passionate I am as an artist." (Susan). "I hope my legacy will be 'believe in yourself' and 'all goals are attainable'. And "Thank you for being here." (Mark).

"Congo Line" by Mark Dodge

"Old Man of the Sea" by Susan Dodge

All art images and photos of the art are copyright of the artist.

__________________________________________________________________

About The Artists

Birthplace: Augsburg, Germany (Susan); Alhambra, CA (Mark)

Arts Education: U. of Missouri (Susan); LCC Art Classes (Mark)

Media of Choice: Acrylics (Susan); "Next Generation" (Mark)

Favorite Place to Do Art: Anywhere and everywhere

Favorite Subjects To Paint: Sea life (Susan); Abstracts (Mark)

Arts Organizations: Emerald Empire Arts Association

Awards: 1st Place - Lane County Fair (Yosemite Falls)

Current Show: At the Emerald Art Center (thru Feb. 2)
__________________________________________________________________

Izzy Fletcher: Always Something to Do

50 Artists: 50 Years of Art in Springfield
Celebrating arts and culture in our community

Featured in The Springfield Beacon (January 2, 2008)


Izzy Fletcher: There’s always something to do

By Austin Berger
For the Beacon

From her front yard, Izzy Fletcher has a gorgeous view of the hills of neighboring Jasper. As a matter of fact, from her front yard, you can see up into the hills and view the houses of fellow Emerald Empire Art Association members Bonnie Sandland and DeVon Tanton. With all three of these exuberantly skilled ladies living so close to another, one could conclude there is something in the water out there keeping them invigorated. And Izzy may be possibly the best example. At 83, Izzy is a true veteran of the Emerald Empire Art Association, both serving as president and helping its transition from small humble beginnings to where it stands today.

Inspiration to begin: She has vague memories of random charcoal and pen drawings from her childhood; none of them she can remember to any fine detail. “It wasn’t serious stuff anyway,” says Izzy. Although she had an interest in art as far back as she could remember, she spent most of her life, like most people of her generation, working hard and raising a family.

After her the kids had graduated in 1975, she started to take her long time infatuation a little more seriously. For Christmas, her husband bought her a full-size hair dryer; the type with the big dome and the seat. She returned it to the store and used the money to procure all the fixings for a budding oil artist.

Some time thereafter, Izzy met Ruth Simmons, an artist from Cottage Grove who was a member of the Emerald Empire Art Association (EEAC). Ruth was instructing a class at the art association's gallery at 421 A Street. “She told members of the class that the EEAC was a good place to get into the art world," says Izzy.

It wasn’t long before Izzy became an integral part of the organization's success. She served for six years as the center’s president, as well as being a chair on the committee for renovation. She was on the cutting room floor when the Emerald Empire Art Association outgrew its humble roots from an old chiropractor’s office that still had the lead sheets for x-rays. By selling off a few properties and various grants and donations from the Springfield community, the organization was able to make a successful bid for it’s current location on Fifth and Main when it came up for sale in 1997.

Mentors: Izzy loves animals and the local landscape. “Creatures and places we all see and love,” she calls them. It will come as no surprise that she reveres local world-renowned artist Terry Isaac, and his stunning acrylic depictions of landscapes and wildlife in the western United States. Being a Willamette Valley resident, his workshops are a favorite among local nature painters. Another one she credits is Kenji Kobayashi, a Japanese artist whose mixed media surrealist images proved to be a life-changing experience.

Art and Quality of life: “I’m 83 years old, and I don’t hide that,” says Izzy with pride. “I don’t feel it…I feel ten years younger” Being able to pick and choose whatever takes her fancy, she undoubtedly has found a fountain of youth in her art. “So many people my age, they tend to slow down,” says Izzy, but she plans on doing it as long as she is able to hold a brush.

Also, to have traveled through your artwork could only be classified as reassuring. Although it’s not the only trick in her art bag (far from it), she has a penchant for painting on saw blades, and these works have gone across the world and back. The mayor of Eugene's sister city in Japan was visiting Eugene at a time when members of EEAC were having an art show on the Downtown Mall. He commented to Izzy that he liked the crosscut saws she had on display. Some months later a representative of the exchange student program contacted Izzy. He purchased two crosscuts for a gift to the mayor as well as bought several other smaller blades for host families. The representative later told Izzy the crosscuts were official pieces of art at their City Hall.

Her legacy as an artist: She has a few pieces of advice for new artists. First, “do your own work.” With the amount of art shows she’s handled, she knows that the art community is the least likely to suffer a plagiarist gladly. Aside from the cautionary advice, just simply take pride in what you do, and everything else will follow.

Even through being one of many integral stones that helped build the Emerald Art Center into what it is today, she’s first and foremost thankful for her family. She was currently painting some watercolors of her grandkids for a Christmas present. And given that she shows no signs of stopping, even at 83, her legacy as an artist may be yet to come. Just goes to show that, in her words “there’s always something to do in life.”

"There He Is" by Izzy Fletcher

___________________________________________________________________________

About The Artist

Birthplace: Spokane

Media of Choice: Watercolor, Acrylic and Oil

Favorite subjects to Paint: Landscapes, seascapes and animals

Favorite place to do art: In her basement studio

Arts organizations: Emerald Empire Art Association (Former President)

Gallery Showings: Heritage Mall (Albany) - November - January Annually

___________________________________________________________________________

All art images and photos of the art are copyright of the artist.

"Splash" by Izzy Fletcher



"Petunias" by Izzy Fletcher


"Aspen at Eagle Crest" by Izzy Fletcher